Research

Poudrier, È. & Shanahan, D. (in review). The cognitive, affective, and motoric correlates of rhythmic complexity. Journal of New Music Research, February 24, 2024.

Poudrier, È., Bell, B. J., Lee, J. Y. H., & Sapp, C. S. (in review). Listeners’ perceived emotions using synthetic and pitch-randomized music excerpts. Empirical Musicology Review, May 3, 2024.

Poudrier, È., Bell, B. J., Lee, J. Y. H., & Sapp, C. S. (in review). The influence of dissonance on listeners’ perceived emotions in rhythmically complex musical excerpts. Auditory Perception & Cognition, June 17, 2024.

Poudrier, È., Bell, B. J., Lee, J. Y. H., & Sapp, C. S. (2023a). Listeners' perceived emotions in human vs. synthetic performance of rhythmically complex musical excerpts. In Proceedings of the 16th International Symposium on Computer Music Multidisciplinary Research, 13–17 November 2023, Tokyo, Japan, pp. 599–610. CMMR 2023 & Laboratory PRISM, Marseille, France. Published online: 23 November 2023. https://doi.org/10.5281/zenodo.10076248

Poudrier, È., Bell, B. J., Lee, J. Y. H., & Sapp, C. S. (2023b). Listeners' perceived emotions in musical excerpts with ordered vs. randomized pitch and register. In 4th International Symposium on the Internet of Sounds, Pisa, Italy, 2023, pp. 1–9. IEEE. Published online: 4 December 2023. https://doi.org/10.1109/IEEECONF59510.2023.10335484

Poudrier, È. & Sapp, C. S. (2022). Polyrhythm analysis using the composite tool. In International Conference on Digital Libraries for Musicology,July 28, 2022, Prague, Czech Republic. ACM, New York, NY, USA. https://doi.org/10.1145/3543882.3543890

Poudrier, È., Sapp, C. S., & Shanahan, D. (2021). The cognitive and affective correlates of rhythmic complexity. In ICMPC ESCOM 2021: Connectivity and diversity in music cognition, 28-31 July 2021.

Poudrier, È. & Shanahan, D. (2018). Modeling rhythmic complexity in a corpus of polyrhythm examples from Europe and America, 1900-1950. In R. Parncutt & S. Sattmann (Eds.), Proceedings of the 15th International Conference on Music Perception and Cognition and the 10th Conference of the European Society for the Cognitive Sciences of Music Conference, Montreal, Canada, 23-28 July 2018.

Poudrier, È. (2024, July 26). Polyrhythm classification using the composite tool. Society for Music Perception and Cognition Conference (SMPC), Banff, Canada.

Poudrier, È., Bell, B. J., Lee, J. Y. H., & Sapp, C. S. (2024, July 25). The influence of sonority dissonance and rhythmic complexity on listeners’ perceived emotions. Society for Music Perception and Cognition Conference (SMPC), Banff, Canada.

Poudrier, È., Bell, B. J., Lee, J. Y. H., & Sapp, C. S. (2024, July 4). The influence of sonority dissonance and rhythmic complexity on listeners’ perceived emotions. 12^th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), York, England, Melbourne, Australia, and La Plata, Argentina.

Poudrier, È., Bell, B. J., Lee, J. Y. H., & Sapp, C. S. (2023, Novembre 16). The influence of dissonance and register on listeners’ perceived emotions in complex musical excerpts. 22^nd Auditory Perception, Cognition, & Action Meeting (APCAM), San Francisco, United States of America.

Poudrier, È., Bell, B. J., Lee, J. Y. H., & Sapp, C. S. (2023, Novembre 16). Listeners’ perceived emotions in synthetic vs. human performance of rhythmically complex musical excerpts. 16^th International Symposium on Computer Music Interdisciplinary Research (CMMR), Tokyo, Japan.

Poudrier, È., Bell, B. J., Lee, J. Y. H., & Sapp, C. S. (2023, October 27). Listeners’ perceived emotions in ordered vs. randomized musical excerpts. 4^th International Symposium on the Internet of Sounds, International Workshop on Multilayer Music Representation and Processing, Pisa, Italy.

Poudrier, È. (2023, October 12). Polyrhythm classification using the composite tool. 2^nd International Conference Música Analítica: Interdisciplinary Approaches to Musical Time, University of Coimbra, Coimbra, Portugal.

Poudrier, È. & Sapp, C. S. (2022, July 28). Polyrhythm analysis using the composite tool. 9^th International Conference on Digital Libraries for Musicology, Municipal Library, Prague, Czechia.

Poudrier, È., Sapp, C. S., & Shanahan, D. (2021, April 17). The cognitive and affective correlates of rhythmic complexity. New England Sequencing and Timing (NEST) Meeting, University of Connecticut, Storrs, United States.

Poudrier, È., Sapp, C. S., & Shanahan, D. (2021, July 29). The cognitive and affective correlates of rhythmic complexity. 16^th International Conference on Music Perception and Cognition and 11th Triennial Conference of the European Society for the Cognitive Sciences of Music, United Kingdom Hub.

Konik, M., Poudrier, È., Ricciardi, E., Rodin, J., Sapp, C. S., & Shanahan, D. (2020, October 29–31). Collaborative building of digital tools for music scholarship. Collaboration: A Digital Humanities Conference, University of British Columbia, Vancouver, Canada.

Poudrier, È. (2019, June 7). Modeling polyrhythm in twentieth-century Western music. Congress 2019 Canadian University Music Society, University of British Columbia, Vancouver, Canada.

Poudrier, È. & Shanahan, D. (2018, July 23–28). Modeling rhythmic complexity in a corpus of polyrhythm examples from Europe and America, 1900-1950. 15^th International Conference on Music Perception and Cognition and 10^th Conference of the European Society for the Cognitive Sciences of Music, Montreal Hub, Canada.

Poudrier, È. (2021, June 2). Polyrhythm perception and action: A tool for community building. “Wellness Wednesdays,” Brain Wellness Program, Djavad Mowafaghian Centre for Brain Health, University of British Columbia, Vancouver, Canada.

Poudrier, È., Lussier, K., Wright, D., de Freitas, C., & Laurindo, R. (2021, May 14). Modeling polyrhythmic experience: An introduction to music research in the digital era. Pixellating Project Showcase Series, Digital Scholarship Lab, Research Commons, Koerner Library, University of British Columbia, Vancouver, Canada.

Poudrier, È. (2021, March 18). Rhythm Computation & Cognition Lab: “Polyrhythmic experience”. UBC Music Initiative Workshop Series, University of British Columbia, Vancouver, Canada.

Poudrier, È. & Castonguay, R. (2019, June 6). Music scholarship and digital technologies: Perspectives on collaborative corpus building and text analysis. Congress 2019 Canadian Association of Music Libraries, University of British Columbia, Vancouver, Canada.

Sapp, C. S. (2018, August 15). Music as text: Search and analysis of digital musical scores. UBC Rhythm Research Cluster Workshop, Irving K. Barber Learning Centre, University of British Columbia, Vancouver, Canada.

Poudrier, È. (2019, February 13). On-going research: Modeling polyrhythmic experience. Music Colloquium Series, School of Music, University of British Columbia, Vancouver, Canada.

Poudrier, È., Culler, A., & Pratt, S. (2017, November 24). Polyrhythm in the works of twenty composers from Europe to America, 1900-1950: The Suter (1980) Corpus. Music Colloquium Series, School of Music, University of British Columbia, Vancouver, Canada.

Poudrier, È., Bell, B. J., Lee, J. Y. H. Perceived musical qualities of rhythmically complex musical excerpts.

Poudrier, È. Polyrhythm classification using the composite tool.

Poudrier, È. & Sapp, C. S. Polyrhythm in the works of twenty composers from Western Europe to North America, 1900-1950: The Suter (1980) Corpus.